Added to the many charms of Pride & Prejudice, the movie version of the Jane Austen classic, was the long drawn, charming and extremely romantic ending created specially for the North American version. Though some purists in America surely grumbled a bit, calling it too sugary, director Joe Wright defended it stoutly, asserting it was "a very natural and spontaneous way to end the film." Now, the ending has become so popular that it is being slapped on the British version too, even though the film, which has grossed nearly $30 million, is coming to the end of its first run there.
In America, major critics did not mind at all that director Wright had made a lively, fast-paced film out of the popular classic. "The title, replacing the author's 'and' with an ampersand, signals its jaunty approach," declared the San Francisco Chronicle. The Boston Globe called the movie, "...a jaunty romantic comedy that leaves us as incandescently happy as its characters." And in the Chicago Sun-Times, Roger Ebert wrote it was "...one of the most delightful and heartwarming adaptations made from Austen or anybody else."
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